His first e-mail:
Just an FYI, most of your page has correct information, even if I believe your opinions are paranoid and ridiculous, having been to their convention and seen the prizes awarded myself. Just an FYI though - their are two pieces of misinformation on your page:

On your page, you say, "Their anthologies might be registered with an ISBN number, but give it a try and try to get it through a normal bookstore. You won't get it. No bookstore is able to find the ISBN numbers in their computer, and thus can't order it for you. The only way you can get your hands on poetry.com's anthologies is through their website or through their customer service."

This is not true. My mom bought one through Amazon - and I have a friend who had a library successfully order one 0 based on the ISBN, registered at the Library of Congress, Washington, D.C.

The second, on your page you say, "And you know what the funny thing is? If you don't purchase the anthology, you won't be published in it. If you don't purchase the anthology, the publishing of your poem will be postponed to the next anthology, and the next, and the next, until you decide to purchase it."

This is not true. I never bought their books, and yet my poems appeared in three. I saw copies of them while I was at the convention back in 2000.

Also, Times is not a basic font. The reason it has become so popular over the past 10 years is because it is easier to read than the basic fonts, Helvetica, Arial and Bookman. 20 yeas ago, Times (new roman) did not exist. Now it is on everything because it is so easy to read. I used to be a typesetter, and anyone in the printing business will laugh when they see what you wrote about typestyles. Also, the books are not printed in Times. But they ARE eye-straining to read.

Anyway, since you have such a thing against these people (yes, they are real, and were doing this long before they made Poetry.com, using ads in newspapers and magazines), I felt you should at least be accurate in your information, biased as it is. This way you don't make yourself look more like a fool for those who DO happen to know a bit more about the International Society of Poets than you, and what a scam really is (As apposed to someone disgruntled because a company offered to publish a bunch of other poems with his and wanted to sell him the book at a discounted rate). Heaven forbid a company make money by selling books with thousands of poems in them. A business should give thousands of copies out to all of the poets and lose all the money, right?

Your site is ridiculous in the first place - I just am giving you this FYI so you don't make yourself even MORE ridiculous by misinformation. Good luck in your anti-ISoP campaign.

You have a big road ahead. They have more supporters right now than any other literary or publishing company on earth except for Reader's Digest.

David E. Young

My reply to his e-mail:
Hi David,

Thanks for your feedback on the website. I do appreciate it, even if we don't share the same opinion.
Before I got this mail from you I already made some adjustments to some of the information on the webpage, and with this mail I did some small adjustments still.

For your information: I'm a graphic specialist myself, have been for the past 10 years (and to smartass on you: the font is a serif-class font, font-family Garamond, subclass American Garamond Regular).
And you must agree with me, as being a former typesetter, that the layout in the book is straight on crap. There is no, as they put it in there mail, distinctive layout.
When it comes to that, Noble House Publishers deserves some credit still, because they don't try to cramp as many poems on a page as possible.
Still about the Times font. I'm talking about the use of the font these days, not 10 years ago. If you bring it on like that, then neither Helvetica, nor Arial, nor Bookman are basic fonts either.
Basic fonts these days are the fonts that are standard installments on every single computer and for which you don't have to pay any individual rights. And in that light Times has been a standard font for the past six or seven years already.
And the thing you say about a book offered against 'discounted rate'... I must strongly disagree on that.
The price of $ 59,95 for the book I bought is outragious.
In my ten years of graphic experience I designed books, printed books and guided the production of books and I can tell you that the book that I received has a production price of max $ 15. And the pr and all the indirect costs that accompany that book are never in a lifetime $ 45 per book. No way!

And then one more thing about poetry.com:
This website, as it says at the top of the page, has been made from my own personal experience, and I let everyone decide for themselves what their opinion is.
But ALL those rumors, ALL those matches you find on the internet if you type 'poetry scam', and the fact that there's a law firm doing investigation after them as we speak... Are you saying that ALL those rumors are based on lies? All of them?
You can tell me a lot of things, but that's a thing that I will not buy. Especially not with my own experiences.

Well, anyway...
Again, thanks for you feedback.
And for that matter, I would like your permission to put your e-mail as a link on the website (or as an entry in the guestbook), so that people can also read your opinion.
I will put this reply e-mail along with that.


Then his response to that:
LOL I like your style - no problem with the link or guestbook entry thing.
Several law firems, as well as the FBI have been asked to do such "research" and did very well at thier work. All of them so far, including the FBI, have found no fraudulent claims or illegal or unethical activities on the part of the ISoP, and most have concluded their investigations.

I agree with you on one thing, the layout on many of them needs work like a firetrap needs condemning.

As for a printing cost of about $15.00, you feel a 250% markup is not reasonable? How much do you pay for diesel - it is a 3000% markup. Milk? 500% markup. Gasoline? 300% to 600% markup. Your average encyclopedia? 1200% markup. Your average coffee table book - 500% to 900% markup.

Of course, the costs of the staff is considered in the price, and the ISoP has thousands who work for them around the world. Also, the cost of packaging, and the costs of business overhead, and then the convention and prize money, and of course, what every business needs to survive - profit!

Is $59.95 such a high price for a book with thousands of poems in it? That is in fact a discounted price, as the normal cost is $79.95 (which is what people who do not write poems in the book pay). Nothing requires them to take off $20.00 multiplied by however many thousands of poets wrote for an issue. According to your own calculations, that would be a pretty heavy loss for a business.

Business are here to make money - money that is paid to their services and employees and thus, service offered in their communities when they spend the money they earn (including the owners, who also spend their money), and into societies, including ours. This is the purpose and reason of business - of ANY type - make money.

The founders of the ISoP and their other businesses in poetry and photography, wanted to create a business that could harness the talents of poets and photographers around the world who had trouble getting published. Originally, they were picky about who they published, but they felt bad about rejecting so many people, so they came up with an idea.

In the poetry businesses, they published any poem sent to them with the idea of encouraging creativity of all types, making someone feel good about themselves, and thus hopefully improve or continue to submit to other publishers until they succeed. At the same time, they are in business to make money, and when they offered the books free to the poets, they came up with too little to print as much as they desired. So they changed the policy to give discounts to the poets and the families of poets.

Over a period of years, they perfected the process of finding submissions, and they have had their awards program since the early 1980's. They now publish more poems and have more people submitting than any other publisher in history.

When I attended their convention, they had about 30,000 poets there. I did not run into any that I did not like. There are millions of submissions each year since they opened Poetry.com, yet only a total of 50,000 invitations are sent to the convention. They expect around 15,000 to show up, they told me, and were actually surprised at the turn-out the year I went. We booked all of the hotels in DC just about!

They do have a large board of readers who go through the poems and vote on which ones will be finalists for the prize, and most of the crap that they print does not make it past this board. At the convention, it is the poets themselves who vote over a period of 5 days, narrowing it down to a top 10. Of those top 10, the board of the ISoP decide the top 3. Then the poets vote for the top 3 for the annual grand prize winner.

It is really quite interesting. And I am still in contact with many of the poets I met there today. Many have books of their own out, and some write for greeting card companies or more recognized literary magazines. These are not the crap at the bottom of the barrel, but poets who I take my hat off to.

Having looked into this business, I have a feeling that this legal investigation you refer to will end up the same as the others, finding that the ISoP is doing legitimate business. I still say they do need to hire a new layout team though.

David E. Young

To which I responded the following (and after this I didn't get a reply anymore):
If you know a bit about the graphic business, then you know that the only 250% markup goes on commercial printed matter. Books are mostly sold with as low a markup as possible, max 10-15%.
So No, I don't think that 250% markup is reasonable. And as for the encyclopedia, that's a whole different story, because there we're talking about article rights, research rights, references, etc. etc. So it's difficult to compare them with 'normal' books.
And Yes, I DO think that 250% markup would be reasonable if they would pay the featured poets their royalties or if they would send the featured poets a free copy. But that's not the case.
And when it comes to the costs of post and packaging... I had to pay that seperately for my copy of the anthology. And that was indeed a shitload of money extra (excuse my my french). If I would send an equally heavy parcel to poetry.com, I would have it done for one third of the price that I paid.

You seem to know quite some about poetry.com. Almost like an insider.
If you say they changed their strategy, then I think they lost a teeny bit of their reputation with it. If you read the poem that I put on the website, see its contents and quality, then you know what I'm refering to. Those kind of poems should not be selected for publishment ANYwhere.
There are loads of those poems, those crap poems, that are selected and published.
And I think that's a big part of how poetry.com got its present reputation.

When it comes to motivating poets... I think we're mixing up motivation with moral here, but that's a personal view again.
Poetry.com doesn't motivate people, they abuse their position of being a known institute by telling people lies about their abilities. I'm talking about that 95% that will never get anywhere with their writings.
Even if poetry.com knows that they will not get 'it' anywhere, just because they don't have what 'it' takes, they still come up with those unpersonal, commercialized, personalized e-mails (I think you know what I mean here), just to pull those people to poetry.com's side of the line to buy the book.
Now to me you sound like a down-to-earth person. And I am also. We are able to see things in the right perspective. But suppose you come across someone who doesn't. S/he finds out that there might be something not completely right with poetry.com (I'll leave it floating whether this is true or not), and s/he interprets this whole thing and his/her poem being published as one big lie and freaks out (to nicely put it)?

The conventions are probably fantastic. I will believe you on your word, I haven't been there. But you pay dearly for it. And with that kind of payment I think it's self evident that you get your awards and your prizes. But still I think that you don't get those prizes because you earned them for your skills (some maybe might, but most don't), but because you paid for them yourself.
That's not what I call motivation.
I also believe you on your word that you are still in contact with a lot of poets you met on that convention. That might be the only honest thing that flows out from this thing. The contacts with fellow poets that remain after all the dust has settled.

And even if social contacts are very important to me, I would not pay the amout of money the ISoP requests for it...

As ever,

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牨晥献慥捲⡨戠潬正摥潄慭湩孳椠崠⤠㸠‽‰਩††††††††੻††††††††††汦条㴠琠畲㭥 †††††††素 †††††素 †††††爠瑥牵汦条਻††††੽ †††瘠牡朠瑥敍慴潃瑮湥⁴‽畦据楴湯
敭慴慎敭⤠ †††笠 †††††瘠牡洠瑥獡㴠搠捯浵湥⹴敧䕴敬敭瑮䉳呹条慎敭✨敭慴⤧਻††††††潦⁲椨〽※㱩敭慴⹳敬杮桴※⭩⤫ †††††笠ਠ††††††††晩
㴽洠瑥乡浡⁥਩††††††††⁻ †††††††††爠瑥牵敭慴孳嵩朮瑥瑁牴扩瑵⡥挢湯整瑮⤢※ †††††††素ਠ††††††੽††††††敲畴湲映污敳਻††††੽†††† †††瘠牡朠瑥潃浭湥乴摯獥㴠映湵瑣潩⡮敲敧偸瑡整湲਩††††੻††††††慶⁲潮敤⁳‽絻਻††††††慶⁲潮敤䅳㴠嬠㭝 †††††瘠牡瀠敲敦牲摥潎敤䱳獩⁴‽❛❡‬挧Ⱗ✠❢㭝 †††ਠ††††††昨湵瑣潩敧乴摯獥桔瑡慈敶潃浭湥獴渨‬慰瑴牥⥮ †††††笠 †††††††椠⁦渨栮獡桃汩乤摯獥⤨਩††††††††੻††††††††††晩⠠⹮慴乧浡⁥㴽‽䤧剆䵁❅਩††††††††††੻††††††††††††敲畴湲映污敳਻††††††††††੽††††††††††潦⁲瘨牡椠㴠〠※⁩‼⹮档汩乤摯獥氮湥瑧㭨椠⬫਩††††††††††੻††††††††††††晩⠠渨挮楨摬潎敤孳嵩渮摯呥灹⁥㴽‽⤸☠…瀨瑡整湲琮獥⡴⹮档汩乤摯獥楛⹝潮敤慖畬⥥⤩ †††††††††††笠 †††††††††††††瘠牡愠敲乡浡⁥‽慰瑴牥⹮硥捥渨挮楨摬潎敤孳嵩渮摯噥污敵嬩崱਻††††††††††††††潮敤孳牡慥慎敭⁝‽㭮 †††††††††††素 †††††††††††攠獬⁥晩⠠⹮档汩乤摯獥楛⹝潮敤祔数㴠㴽ㄠ਩††††††††††††੻††††††††††††††敧乴摯獥桔瑡慈敶潃浭湥獴渨挮楨摬潎敤孳嵩‬慰瑴牥⥮਻††††††††††††੽††††††††††੽††††††††੽††††††⡽潤畣敭瑮戮摯ⱹ爠来硥慐瑴牥⥮㬩ਊ††††††潦⁲瘨牡椠椠牰晥牥敲乤摯獥楌瑳਩††††††੻††††††††晩⠠潮敤孳牰晥牥敲乤摯獥楌瑳楛嵝਩††††††††੻††††††††††晩
獩牔汥楬⁸☦渠摯獥灛敲敦牲摥潎敤䱳獩孴嵩⹝慰敲瑮潎敤瀮牡湥乴摯⹥慰敲瑮潎敤瀮牡湥乴摯⁥਩††††††††††੻††††††††††††潮敤䅳瀮獵⡨潮敤孳牰晥牥敲乤摯獥楌瑳楛嵝瀮牡湥乴摯⹥慰敲瑮潎敤瀮牡湥乴摯⹥慰敲瑮潎敤㬩 †††††††††素 †††††††††攠獬੥††††††††††੻††††††††††††潮敤䅳瀮獵⡨渠摯獥灛敲敦牲摥潎敤䱳獩孴嵩⁝㬩 †††††††††素 †††††††素 †††††素 †††††爠瑥牵潮敤䅳਻††††੽†††† †††ਠ††††慶⁲牰灯牥潎敤㴠渠汵㭬 †††瘠牡愠敲乡摯獥㴠朠瑥潃浭湥乴摯獥
帧牡慥吠灹㵥愢敲彡尨睜⤫✢⤠⤠਻ †††映牯⠠慶⁲⁩‽㬰椠㰠愠敲乡摯獥氮湥瑧㭨椠⬫਩††††੻††††††慶⁲⁡‽慰獲䥥瑮木瑥潃灭瑵摥瑓汹⡥牡慥潎敤孳嵩⸩楷瑤⥨਻††††††晩⠠愨㸠‽〳⤰☠…愨㰠‽〴⤰਩††††††੻††††††††牰灯牥潎敤㴠愠敲乡摯獥楛㭝 †††††††戠敲歡਻††††††੽††††੽ਊ††††慶⁲牰灯牥祴慎敭㴠朠瑥敍慴潃瑮湥⡴瀢潲数瑲≹
਩††††੻††††††⹥牳⁣‽⼧摡⽭摡椯橮捥䅴⹤晩慲敭栮浴❬਻††††††牰灯牥潎敤椮獮牥䉴晥牯⡥ⱥ瀠潲数乲摯⹥楦獲䍴楨摬㬩 †††素 †††攠獬⁥晩
牰灯牥潎敤⤠⤠⼠ 汓灡琠敨愠⁤癥湥桴畯桧⁴桴牥⁥獩渠污捯瑡摥猠潬ੴ††††੻††††††⹥牳⁣‽⼧摡⽭摡椯橮捥䅴⹤晩慲敭栮浴❬਻††††††⹥瑳汹⹥獣䙳潬瑡㴠✠潮敮㬧 †††††瘠牡挠楤⁶‽潤畣敭瑮挮敲瑡䕥敬敭瑮✨楤❶㬩 †††††挠楤⹶瑳汹⁥‽眢摩桴㌺〰硰活牡楧㩮〱硰愠瑵㭯㬢 †††††挠楤⹶灡数摮桃汩⡤攠⤠਻††††††⹢湩敳瑲敂潦敲挨楤ⱶ戠氮獡䍴楨摬㬩 †††素 †††攠獬⁥晩
椡䉳潬敫䉤䑹浯楡⡮氠捯瑡潩⹮牨晥⤠⤠ †††笠 †††††瘠牡椠橮⁆‽潤畣敭瑮挮敲瑡䕥敬敭瑮✨晩慲敭⤧਻††††††湩䙪献祴敬戮牯敤⁲‽〧㬧 †††††椠橮⹆瑳汹⹥慭杲湩㴠〠਻††††††湩䙪献祴敬搮獩汰祡㴠✠汢捯❫਻††††††湩䙪献祴敬挮獳汆慯⁴‽渧湯❥਻††††††湩䙪献祴敬栮楥桧⁴‽㈧㐵硰㬧 †††††椠橮⹆瑳汹⹥癯牥汦睯㴠✠楨摤湥㬧 †††††椠橮⹆瑳汹⹥慰摤湩⁧‽㬰 †††††椠橮⹆瑳汹⹥楷瑤⁨‽㌧〰硰㬧 †††††椠橮⹆牳⁣‽⼧摡⽭摡椯橮捥䅴⹤晩慲敭栮浴❬਻ †††††椠⡦戠☠…

湩䙪⤠਻††††††††⹢湩敳瑲敂潦敲挨楤ⱶ戠氮獡䍴楨摬㬩 †††††素ਠ††††੽†⡽搠捯浵湥⹴獩牔汥楬⁸⤩਻੽㰊猯牣灩㹴ਊ搼癩椠㵤琢形潣瑮楡敮≲猠祴敬∽慢正牧畯摮⌺䙄䍄䙃※潢摲牥戭瑯潴㩭瀱⁸潳楬⁤㌣㌹㌹㬹瀠獯瑩潩㩮敲慬楴敶※⵺湩敤㩸㤹㤹㤹㤹ℹ浩潰瑲湡≴ਾℼⴭ潦浲渠浡㵥猢慥捲≨漠卮扵業㵴爢瑥牵敳牡档瑩⤨•摩✽敨摡牥獟慥捲❨㸠㰊湩異⁴祴数∽整瑸•汰捡桥汯敤㵲匢慥捲≨猠穩㵥〳渠浡㵥猢慥捲㉨•慶畬㵥∢ਾ椼灮瑵琠灹㵥戢瑵潴≮瘠污敵∽潇∡漠䍮楬正∽敳牡档瑩⤨㸢㰊是牯㹭㰊瑳汹㹥昊牯⍭敨摡牥獟慥捲⁨੻††楷瑤㩨㤠㘱硰਻††慭杲湩›‰畡潴㠠硰਻††潰楳楴湯›敲慬楴敶਻੽ਊ潦浲栣慥敤彲敳牡档椠灮瑵笠 †栠楥桧㩴㐠瀰㭸 †映湯⵴楳敺›㐱硰਻††楬敮栭楥桧㩴㐠瀰㭸 †瀠摡楤杮›‰瀸㭸 †戠硯猭穩湩㩧戠牯敤⵲潢㭸 †戠捡杫潲湵㩤⌠㑆㉆㥅਻††潢摲牥›瀱⁸潳楬⁤䈣䉂䈸㬸 †琠慲獮瑩潩㩮戠捡杫潲湵ⵤ潣潬⁲〳洰⁳慥敳漭瑵ਬ††††††††潣潬⁲〳洰⁳慥敳਻੽昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数∽整瑸崢笠 †眠摩桴›〱┰਻੽潦浲栣慥敤彲敳牡档椠灮瑵瑛灹㵥琢硥≴㩝潦畣⁳੻††潢摲牥挭汯牯›䄣䐲㔰㬴 †戠捡杫潲湵ⵤ潣潬㩲⌠晦㭦 †戠硯猭慨潤㩷〠〠硰ㄠ瀲⁸㐭硰⌠㉁い㐵਻੽ਊ昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数∽畢瑴湯崢笠 †瀠獯瑩潩㩮愠獢汯瑵㭥 †琠灯›瀱㭸 †爠杩瑨›瀱㭸 †漠慰楣祴›㬱 †戠捡杫潲湵㩤⌠䙄䍄䙃਻††潣潬㩲⌠㘴㜳㐳਻††楷瑤㩨ㄠ㔲硰਻††畣獲牯›潰湩整㭲 †栠楥桧㩴㌠瀸㭸 †戠牯敤㩲渠湯㭥紊昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数∽整瑸崢昺捯獵縠椠灮瑵瑛灹㵥戧瑵潴❮㩝潨敶Ⱳ昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数✽畢瑴湯崧栺癯牥笠 †戠捡杫潲湵ⵤ潣潬㩲⌠㕁䕃㘵਻††潣潬㩲⌠晦㭦紊昊牯⍭敨摡牥獟慥捲⁨湩異孴祴数∽整瑸崢昺捯獵縠椠灮瑵瑛灹㵥戧瑵潴❮⁝੻††慢正牧畯摮挭汯牯›㔣䄲䑅㭆 †挠汯牯›昣晦਻੽㰊猯祴敬ਾ㰊捳楲瑰ਾ畦据楴湯猠慥捲楨⡴笩 †ਠ††⼯搠瑥牥業敮攠癮物湯敭瑮ਠ††慶⁲敳牡档敟癮ਠ††晩⠠祬潣彳摡睟睷獟牥敶⹲湩敤佸⡦⸢摰∮
੻†††猠慥捲彨湥⁶‽栧瑴㩰⼯敳牡档ㄵ瀮⹤祬潣⹳潣⽭⽡㬧 †素攠獬⁥晩⠠祬潣彳摡睟睷獟牥敶⹲湩敤佸⡦⸢慱∮
੻†††猠慥捲彨湥⁶‽栧瑴㩰⼯敳牡档ㄵ焮⹡祬潣⹳潣⽭⽡㬧 †素攠獬⁥੻†††猠慥捲彨湥⁶‽栧瑴㩰⼯敳牡档ㄵ氮捹獯挮浯愯✯਻††੽瘊牡猠慥捲彨整浲㴠攠据摯啥䥒潃灭湯湥⡴潤畣敭瑮献慥捲⹨敳牡档⸲慶畬⥥瘊牡猠慥捲彨牵‽敳牡档敟癮猫慥捲彨整浲਻楷摮睯漮数⡮敳牡档畟汲㬩ਊ敲畴湲映污敳紊㰊猯牣灩⵴㸭㰊瑳汹㹥 †⸠摡敃瑮牥汃獡筳慭杲湩〺愠瑵絯㰊猯祴敬ਾ搼癩椠㵤琢形摡•汣獡㵳愢䍤湥整䍲慬獳•瑳汹㵥搢獩汰祡戺潬正椡灭牯慴瑮※癯牥汦睯栺摩敤㭮眠摩桴㤺㘱硰∻ਾ愼栠敲㵦栢瑴㩰⼯摡牴捡⹫業楮瑳牥慩㕬挮浯振楬正敮⽷愿㘽㜳㤳∴琠瑩敬∽畢汩⁤潹牵漠湷眠扥楳整愠⁴牔灩摯挮浯•瑳汹㵥昢潬瑡氺晥㭴眠摩桴ㄺ㘸硰※潢摲牥〺㸢㰊浩⁧牳㵣栢瑴㩰⼯祬氮杹⹯潣⽭祬琯印瑩⽥浩条獥是敲䅥㉤樮杰•污㵴䴢歡⁥潹牵漠湷映敲⁥敷獢瑩⁥湯吠楲潰⹤潣≭猠祴敬∽潢摲牥〺※楤灳慬㩹汢捯≫⼠ਾ⼼㹡ਠ搼癩椠㵤愢彤潣瑮楡敮≲猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴映潬瑡氺晥㭴眠摩桴㜺㠲硰∠ਾ猼牣灩⁴祴数∽整瑸樯癡獡牣灩≴搾捯浵湥⹴牷瑩⡥祬潣彳摡❛敬摡牥潢牡❤⥝㰻猯牣灩㹴㰊搯癩ਾ⼼楤㹶㰊搯癩ਾ猼牣灩⁴祴数∽整瑸樯癡獡牣灩≴搾捯浵湥⹴牷瑩⡥祬潣彳摡❛汳摩牥崧㬩⼼捳楲瑰‾ℼⴭ愠摤摥㜠㈯′ⴭਾ搼癩椠㵤䘢潯整䅲≤猠祴敬∽慢正牧畯摮⌺䙄䍄䙃※潢摲牥琭灯ㄺ硰猠汯摩⌠㤳㤳㤳※汣慥㩲潢桴※楤灳慬㩹潮敮※楷瑤㩨〱┰椡灭牯慴瑮※潰楳楴湯爺汥瑡癩㭥稠椭摮硥㤺㤹㤹ℹ浩潰瑲湡㭴栠楥桧㩴〹硰椡灭牯慴瑮㸢ਠ搼癩挠慬獳∽摡敃瑮牥汃獡≳猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴漠敶晲潬㩷楨摤湥※楷瑤㩨ㄹ瀶㭸㸢㰊⁡牨晥∽瑨灴⼺愯瑤慲正洮湩獩整楲污⸵潣⽭汣捩湫睥㼯㵡㌶㌷㐹•楴汴㵥戢極摬礠畯⁲睯敷獢瑩⁥瑡吠楲潰⹤潣≭猠祴敬∽汦慯㩴敬瑦※楤灳慬㩹汢捯㭫眠摩桴ㄺ㘸硰※潢摲牥〺㸢㰊浩⁧牳㵣栢瑴㩰⼯祬氮杹⹯潣⽭祬琯印瑩⽥浩条獥是敲䅥㉤樮杰•污㵴䴢歡⁥潹牵漠湷映敲⁥敷獢瑩⁥湯吠楲潰⹤潣≭猠祴敬∽潢摲牥〺※楤灳慬㩹汢捯㭫∠⼠ਾ⼼㹡ਠ搼癩椠㵤昢潯整䅲彤潣瑮楡敮≲猠祴敬∽楤灳慬㩹汢捯Ⅻ浩潰瑲湡㭴映潬瑡氺晥㭴眠摩桴㜺㠲硰㸢㰊晩慲敭椠㵤氢捹獯潆瑯牥摁䙩慲敭•瑳汹㵥戢牯敤㩲㬰搠獩汰祡戺潬正※汦慯㩴敬瑦※敨杩瑨㤺瀶㭸漠敶晲潬㩷楨摤湥※慰摤湩㩧㬰眠摩桴㜺〵硰㸢⼼晩慲敭ਾ⼼楤㹶㰊搯癩ਾ⼼楤㹶ਊ